The Outdoor Girls in Army Service; Or, Doing Their Bit for the Soldier Boys — Edition Insights
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Which was funny, coming from quiet Amy, who usually spoke one word to the other girls' ten.
So Betty read the news from one end of the paper to the other, until even those insatiable young people were content, then ran into the cottage to get her knitting.
"Now," she said, returning and seating herself with businesslike alertness on the very edge of the step, "you'll see some real speed."
"Oh, Betty, have you come to the heel?" cried Mollie, running over to the Little Captain, and regarding the flying needles with a sort of awe. "Please show me how. They say the Red Cross needs socks for the boys more than they need anything else. And I know I'll never learn to do them."
"Oh, it's easy," returned Betty, obligingly slowing down for their benefit, while they gathered about her, eager and bright-eyed, for the lesson.
They formed a pretty picture, this group of outdoor girls, with the morning sunlight falling upon graceful figures and bent heads, ardent little patriots, every one of them, whole-heartedly eager to give their all for the service of their country.
They were still engrossed in watching Betty's nimble fingers, when the shrill and familiar whistle of the little ferryboat caught their attention.
"Oh, I didn't know it was time," Amy was beginning, when Mollie interrupted her.
"It's stopping here," she cried. "And somebody's getting off."
"It's the boys!" cried Betty, springing to her feet, the bright color again flooding her face. "They never told us they'd be back to-day. There's Allen. Oh, tell me, what is it he is shouting?"
The little ferryboat had steamed away, and four figures were racing toward them.
"Betty," yelled the foremost of these. "I've volunteered--I've volunteered!"
"What is that he is yelling?" questioned Mollie.
"He said something about volunteering," returned Betty.
"Volunteering!" came from Mollie, Grace and Amy simultaneously, and in the excitement of the moment, their knitting was completely forgotten.
And now while the girls are waiting for the boys to come up, let me take just a moment to tell my new readers something concerning these girls and the other volumes in this series of books.
The leader of the quartette was Betty Nelson, often called the "Little Captain." Betty was a bright, active girl, who always loved to do things.
Grace Ford was tall and slender, and a charming conception of young womanhood. She had a brother, Will, who at times was rather hasty, and occasionally this would get him into trouble, much to the annoyance of his sister. Grace herself had one failing, if such it could be called. She was exceedingly fond of chocolates, and was never without some of this confection in her possession.
Some years before there had been a mystery concerning Amy Blackford. She had then been known by the name of Stonington, but the mystery had been unraveled by the finding of her long lost brother, Henry Blackford. Amy was of a quiet disposition, and more timid than any of the others.
The quartette was completed by Mollie Billette, often called "Billy." Mollie was the daughter of a well-to-do widow of French ancestry, and the girl was a bit French herself in her general make-up.
In our first volume, entitled "The Outdoor Girls of Deepdale," the particulars were given of the organization of a camping and tramp club by the girls, and of how they went on a tour, which brought them many adventures.
After this first tour the Outdoor Girls went to Rainbow Lake, and then took another tour, this time in a motor car. After that, they had some glorious days on skates and iceboats while at a winter camp, and then journeyed to Florida, where they took a trip into the wilds of the interior, and participated in many unusual happenings.
Returning from the land of orange groves, the girls next took a trip to Ocean View. Here they had a glorious time bathing, and otherwise enjoying themselves, and also solved the mystery surrounding a box that was found in the sand.
During those strenuous days the girls had made many friends, including Allen Washburn, who was now a young lawyer of Deepdale. Allen had become a particular friend of Betty's, and this friendship seemed to be thoroughly reciprocal.
Will Ford's particular high-school chum had been Frank Haley, and as a consequence, Frank had been drawn into the circle, along with Roy Anderson, another young man of the town.
These young fellows often went off camping, and usually in the vicinity of where the girls had planned to spend their outing days.
Deepdale was a picturesque city of about fifteen thousand people, located on the Argono river, which, some miles below, emptied into Rainbow Lake. Back of Deepdale was a rich farming country, which tended to make the town a prosperous one.
Returning from Ocean View, the girls started on a new outing, as related in the volume before this, entitled "The Outdoor Girls on Pine Island." The girls occupied a bungalow, which had been turned over for their use by an aunt of Mollie Billette. The boys were in a camp near by.
Quite by accident both girls and boys had stumbled upon a gypsy cave, cleverly hidden in the underbrush, and had afterward succeeded in rounding up the entire gypsy band, incidentally regaining some property which had been stolen from the girls.
Now, at the time our story opens, the Outdoor Girls were again at Pine Island, in the cottage lent them by "Aunt Elvira"; but times had changed, and they were no longer solely upon pleasure bent. The grumbling, menacing unrest of war seemed in the very air they breathed, and from dawn to evening they thought of very little else.
Now at the ringing shout, "I've volunteered," they were on their feet, fairly trembling with excitement and eagerness.
"Allen, Allen!" cried Betty, the color flaming into her face. "Oh, I'm so glad! I'm so glad!"
"Gee, he's not the only one," cried a big, strapping lad, Frank Haley, by name, throwing himself upon the steps, and looking up at the girls triumphantly. "Just because he can run faster than we can, he gets all the credit."
"You, too, Frank?" cried Betty, turning upon him with shining eyes.
"And here comes Roy," put in Mollie. "Did he--"
"You just bet he did," Roy Anderson, red and perspiring, answered for himself. "Did you ever hear of an Irishman staying out of a fight? I'm aching already to get my hands on Fritz."
"What's the matter with Will?" asked Grace a little anxiously, for the young fellow coming slowly toward them with downcast eyes and bent head was her brother. "He looks as if he'd lost his last friend."
Seven pairs of eyes were immediately focused upon the apparently despondent figure, while the boys shifted uneasily and looked vaguely troubled.
"Hello, folks," Will saluted them, as he sank down upon the lower step, and looked out toward the water. "Why the sudden hush?"
For a moment no one spoke. They were all strangely embarrassed by this unusual attitude of Will's. He had always been so frank and outspoken. And now--
"Oh, for Pete's sake, say something!" he burst forth at last, looking up at the silent group defiantly. "You were making enough noise before, but the minute I come along, you just stop short and stare. I didn't know I was so fascinating."
"You're not," said Mollie promptly.
With an impatient grunt, Will stuffed his hands into his pockets and stalked off into the woods.
"Well," said Grace, with a long sigh, "I never saw Will act that way before. Now what's the matter?"
"Indigestion, probably," said Allen, trying to pass it off. "He acts just the way I feel when I have it. Which reminds me that I'm getting mighty all-fired hungry."
"Well, you don't get anything to eat," said Betty decidedly, "until you tell us all about everything, since the day you left here so mysteriously to the present time."
"Seems we've got to sing for our supper--or rather, breakfast," said Frank with a grin. "Go ahead, Allen, but be brief. I want some of Betty's biscuits."
"Goodness, do you suppose Betty's going to start in and cook biscuits, now?" cried Mollie. "Why, we just got through our own breakfast."
"Well, we didn't," said Roy, nibbling a piece of grass for want of something better. "And you ought to take it as a proof of our devotion, that we didn't stop for any. We were too anxious to get here to tell you our news."
"And blow a little," scoffed Mollie, the irrepressible.
"Oh, for goodness' sake stop talking," entreated Betty, with her hands to her ears. "If the boys want biscuits they shall have them--if I have to stay up all night to cook some for them. They can have anything in the house, as far as I'm concerned."
"Hear, hear!" cried the boys in chorus, looking up admiringly at her flushed face.
"If volunteering has that effect," Roy added, "I'm going back and do it all over again."
"You said it," agreed Frank. "Gee, but I'm hungry!"
"Did you say we could have anything we wanted?" Allen was demanding of the Little Captain in an undertone. "No exceptions?"
"None," said Betty, dimpling.
"Then," said Allen deliberately, his eyes fixed steadily upon her sparkling face. "If you please--I'll take--you!"
"Oh," gasped Betty, her eyes falling before the young lawyer's ardent gaze, while the rich color flooded her face. "I said anything--not anybody. Allen, please don't be foolish. They're all looking at us."
"Well, you can't blame 'em," Allen retorted whimsically. "They're not used to seeing two such good-looking people together," he added in bland explanation.
"My, don't we hate ourselves!" said Betty, dimpling again. "But go ahead and tell us your adventures," she added, glad to change a subject which was becoming too personal. "No story--no supper, you know."
"We don't want supper--we want breakfast," interrupted Frank, with a grin. "What have you been saying to her, Allen--to get her dates mixed like that?"
"Allen Washburn, are you going to tell that story or are you not?" queried Mollie, in a menacingly quiet tone of voice. "If you're not--"
"Yes, ma'am," said Allen meekly. "Where shall I begin, please?"
"At the beginning," said Grace sarcastically, and reached for her candy box, grimacing to find it empty.
"Thank you," said Allen courteously. "Well, as you know, we four husky braves meandered from the island one bright morning in the early part of the week to seek our fortune, as it were, in the city of promise."
"Yes, that's all it does do," Roy put in pessimistically. "Promise!"
"As I was saying," Allen continued, settling himself in a more comfortable position on the steps, and ignoring the interruption. "We sauntered off, and straightway looked up a recruiting station."
"Oh!" gasped Amy, hands clasped and eyes shining. "That must have been exciting."
"Well, I don't know," said Allen, scratching his head reflectively, "that that part was so exciting, but wait till you hear what happened afterward. After we found where the recruiting office was, we went to the hotel we were stopping at, and punished a mighty big breakfast. You see, we figured out that we were going to put our necks into the noose, as it were, and we wanted something good and big to stand up on."
"Wouldn't your feet do?" asked Betty innocently.
"Heavens, no!" replied Allen, answering the query in solemn earnest, while the girls giggled, and the boys grinned appreciatively. "We were so nervous by that time we weren't sure we had any feet."
"All you had to do was to look," murmured Mollie maliciously. "You couldn't miss 'em."
Allen looked hurt, got up and sat on his feet.
"If you don't see them, perhaps you'll forget about them," he offered by way of explanation. "You don't know how sensitive I am on the subject of feet."
"I couldn't blame you," Mollie was beginning, when Betty broke in with a little despairing cry for help.
"If we don't stop them," she said, looking appealingly about her, "we won't get any farther than breakfast. Allen, what did you do next?"
"Next?" queried Allen, stretching his long legs and squinting up at the sun. "Let me see. Oh yes! Having put down a breakfast that must have added four pounds to our weight, we sauntered forth once more to meet our doom. By that time we were so nervous, we almost mistook a café on the corner for the recruiting station--"
"Hey, speak for yourself, won't you?" queried Roy, adding, as he turned to the girls with a grin, "We had to show Allen a performing monkey on the street, and get his mind off, before we succeeded in engineering him to the right place."
"Gee, some fellows have a gift," said Allen, regarding Roy admiringly. "If I could tell 'em like that, old man, I'd be Supreme Court Justice before the month was up.
"Well, as I was saying," he continued, "after much hesitation and side-stepping, we at last succeeded in reaching our destination. After that, it took ten minutes to get up nerve to go in.
"When we had at last tremblingly ascended the stairs, we found ourselves in a large room, with all the windows open and half a dozen wise-looking men, whom we took to be doctors, presiding. There were three or four other fellows in the room, come like ourselves, to be examined. Then we were shoved behind a huge screen with half a dozen other huskies--they looked like prize fighters to me--and told to take our clothes off. Then--we were examined."
"Well?" they queried, leaning forward eagerly.
"Well," said Allen, waving his hand in a deprecating gesture, "of course, being the perfect specimens of manhood we are, the committee jumped at us."
"If they'd jumped on you they'd have shown more taste," remarked Mollie unflatteringly.
"But, Allen," put in Grace, who had listened to the recital, with a troubled frown on her forehead, "was Will with you?"
Allen's glance fell and he shoved his hands deep into his pockets.
There was another awkward pause, which nobody seemed able to break.
"But Will went to town with you," Amy remarked at last.
"Yes, he went with us," Allen agreed reluctantly. "But after we reached the hotel, and were making our plans for enlisting, he refused to go with us, saying he had business of his own to attend to. What that business was none of us know, for we were getting ready to catch the train for here when he rejoined us. However," he added loyally, "I'd bet my bottom dollar that Will has good reasons for everything he does, and when he gets ready he'll tell us about them. In the meantime, how about some biscuits, Betty?"
"Yes, how about them?" added Roy, rousing to sudden life. "We've done our duty--now we want the reward."
"Goodness, you haven't done anything," said Grace loftily, as the Little Captain vanished within the house, followed by black-eyed Mollie. "You just sit around and let all the others do the work and then take the credit to yourself."
"That's all right if you can get away with it," grinned Allen. "Besides," he added, with a humorous glance at Grace's languid figure, "you don't look the soul of energy yourself this morning, Miss Ford."
"Looks are often deceitful," retorted Grace, languidly turning the heel of her sock. "If you had to knit all day long, every day in the week, you'd find out what work is."
"Well, you don't _have_ to do it," returned Roy placidly.
"Yes," said gentle Amy, roused to sudden indignation. "That's all the credit we get. Goodness knows, we're glad enough to do the work, but we do like it to be appreciated."
Roy turned half way round, and regarded Amy's flying fingers and bent head soberly for a moment.
"I'm sorry," he said then, so gravely that she looked up in surprise, and even Grace stopped knitting. "I didn't mean that we fellows don't appreciate what you girls are doing for us. We do--and there'll come a time when we'll appreciate it still more. When we're in the trenches up to our knees in mud and water, when the wind finds the chinks in our clothing, and freezes us to the bone, when--"
"Oh, please don't!" cried Amy, clapping her hands to her ears. "I can't even bear to think of those things."
"Yet those are some of the things we've got to think about," said Roy, still with that unusual gravity. "It's because you girls have thought of those things, that you're giving your time and energy to preparing for them, and warding them off. Please don't ever again think that we're ungrateful."
"We won't," said Amy softly, fighting back a sudden mistiness which had come before her eyes. "We'll just go on knitting ten times harder than before."
"I think we're missing something," came Betty's voice from the doorway, where she stood with her arm intertwined in Mollie's. "The biscuits are in the oven now, and we're going to talk to you while they're baking."
"Will it take long?" asked Roy, sniffing hungrily.
"I like that," said Betty, with a little grimace, as she flung herself upon the top step, pulling Mollie down beside her. "When Roy has to choose between biscuits and us--"
"We're not in it," finished Mollie with a merry laugh.
"I never said that, did I?" he inquired. "I haven't had the painful necessity of making a choice yet."
"What were you talking about so earnestly when we came out?" queried Betty. "Roy looked solemn, Grace looked surprised, Amy looked exalted, and Allen was thoughtful, while Frank looked as though--well, as though he were seeing visions."
"All I have to do is turn my head to see visions," Frank returned gallantly, suiting the action to the word. "Gee, I never saw a crowd of prettier girls."
"Hey, you're going to get an extra biscuit for that," put in Roy, raising himself on his elbow and looking alarmed. "Just because you're a better flatterer than I am--"
"Oh, hush, hush," protested Betty, showing all her dimples--Allen was watching, so we have his authority for it. "You boys can never get to the point, unless we happen to be talking of something to eat. Allen, what were they talking about?"
Allen roused himself from the happy reverie into which Betty's dimples had thrown him, and responded good-naturedly. Allen was invariably good-natured.
"We were talking about some of the things we may be up against, when we find ourselves in the trenches, face to face with the enemy," he said. "Also we were saying that these sweaters, and mufflers and socks you are knitting, will come in mighty handy over there."
A shadow crossed Betty's bright face, and she leaned forward to pick up the discarded paper she had thrown upon the porch.
"'The enemy attacked in force our lines south of Cambrai,'" she read, with puckered brow. "'The enemy succeeded in gaining a foothold in our first line trenches, but were later driven back. The fighting on both sides was sanguinary, and heavy losses were sustained!'"
She flung the paper from her, and regarded her friends with flaming eyes, and both little fists clenched close at her sides.
"It doesn't seem as though it _could_ be real!" she cried. "Men killing each other off by the hundreds and all for--what? Oh, it's cruel, cruel!"
"Of course it's cruel," said Allen grimly. "But so were the Huns cruel, centuries ago. The German people have simply never advanced beyond that state. They're still in the first stages of civilization."
"Yes, and the worst part of this kind of warfare," said Frank, his eyes fixed thoughtfully upon the horizon, "is that each man in the army is simply a unit in a great machine. In the old days, when they had cavalry charges and hand-to-hand fighting there was some romance, some adventure, some chance for personal bravery."
"Well, of course there is still some chance for daring," remarked Allen, "especially in the aviation branch of the service."
"In the army too," added Roy. "Soldiers are being decorated every day for some special act of bravery."
"I know all that," replied Frank. "But there's nothing particularly spectacular about it."
"And yet," said Betty thoughtfully, "I should think that kind of fighting would take more courage than the other. To stand day after day in those horrible trenches waiting for orders. And then when they do finally make a charge, nothing much seems to be gained by it."
"Yes, the waiting must be the hardest part," agreed Allen. "We met an Englishman in town," he added, smiling at the recollection, "and he was a mighty interesting chap."
The novel opens not with a battlefield but with a dropped stitch. Amy Blackford's knitting needles pause as she asks who will read the paper, and the scene immediately establishes the girls' domestic war work as both routine and fraught. Mollie Billette's French temper flares over a lost stitch, while Grace Ford lazily eats chocolates—small gestures that signal personality through action rather than exposition. Betty Nelson, the "Little Captain," enters to mediate, her skill with the sweater mirroring her role as emotional fixer. The dialogue is brisk, peppered with exclamations and interruptions, mimicking the restless energy of young women channeling patriotic duty into handiwork.
Knitting as a Stage for Character
The sweater is more than a prop; it is a measure of competence and temperament. Mollie's frustration over a dropped stitch reveals her perfectionism and short temper, while Grace's admission that she rarely knits—"If the poor soldiers depended upon the sweaters you made, Grace, I'd feel sorry for them"—marks her as the group's indulgent member. Betty's ability to pick up the stitch "with a skill born of long practice" underscores her reliability. The author uses this domestic task to differentiate the four girls without lengthy description, letting their handling of yarn and needles speak for their characters.
Forced Smiles and the Weight of Goodbye
Chapter XIII, "Smile, Girls, Smile," centers on the morning the boys depart for war. Betty and Grace practice smiling in the mirror, acknowledging the gap between expected cheerfulness and genuine dread. Betty says, "We've just got to smile, though, whether we feel like it or not," and their failure to produce natural smiles makes them laugh at themselves. This moment crystallizes the novel's emotional tension: the girls must perform composure for the soldiers' sake, even as they admit "it's always hard to say good-bye to anybody you—you—like." The ellipsis and halting speech convey what cannot be said outright.
Dialogue as a Vehicle for Anxiety
The characters' speech patterns reveal their unease. Mollie's rapid shifts from impatience to nervous rocking—"I feel as if somebody was dead"—and Roy's dark joke, "Not yet—but soon," show how humor and irritability mask fear. Grace's confession that she feels "all quivery and shaky and trembly inside" uses a triplet of adjectives to emphasize physical symptoms of stress. The author avoids direct description of war; instead, the girls' fragmented sentences and forced banter carry the weight of the unseen conflict. Even Betty's attempt at a race is undercut by Grace's refusal, highlighting the disruption of normalcy.
Setting and Sensory Details
The veranda, the cottage doorway, and the sun-flooded street form the novel's limited geography. Action unfolds in domestic or transitional spaces—steps, meeting places, train stations—rather than battlefields. Sensory details are sparse but pointed: Betty pins on carnations brought by Allen, a small token of affection that gains poignancy in the context of departure. The morning light and forced breakfasts underscore the unnaturalness of the day. By confining the setting to the home front, the author emphasizes the girls' peripheral yet intense experience of war, filtered through objects and routines rather than combat.
Readers attentive to the novel's verbal texture will find that the girls' knitting, quarrels, and strained smiles are not mere filler but deliberate authorial choices that dramatize the emotional labor of supporting soldiers from afar. The dialogue, with its interruptions and unfinished sentences, captures the tension between expected patriotism and private grief. This edition invites a close reading of how Laura Lee Hope uses everyday actions—dropping a stitch, pinning a flower—to convey the weight of a world at war without ever leaving the home front.
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