The Golden Hope: A Story of the Time of King Alexander the Great — Reading Notes

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In Category - Classic Adventures
Fuller, Robert H. (Robert Higginson), 1865-1927 Project Gutenberg 2011
Adventure stories; Alexander, the Great, 356 B.C.-323 B.C. -- Fiction; Greece -- History -- Macedonian Expansion, 359-323 B.C. -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

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Words: 132,532
Reading time: 577 min
Text sections: 16
An adventure novel set during Alexander the Great's conquests, following Greek mercenaries and court intrigue. The catalog subjects align with the excerpts' focus on Alexander's campaign and Persian court, but the story centers on fictional characters like Clearchus and Chares, with the Jew Joel providing a distinct perspective on empire and prophecy.
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I. THREE FRIENDS MEET II. WARNING FROM THE GODS III. ARISTON LAYS A PLOT IV. THE VOICE OF DEMOSTHENES V. THE BANQUET VI. SYPHAX EARNS HIS REWARD VII. THE RESPONSE OF THE ORACLE VIII. THE THUNDERBOLT FALLS IX. THE DOOM OF THEBES X. CHARES BARTERS HIS SWORD XI. THAIS XII. MENA READS A LETTER XIII. THE UNQUENCHABLE FIRE XIV. ACROSS THE HELLESPONT XV. THAIS AND ARTEMISIA XVI. IN THE CAMP OF THE MERCENARIES XVII. THE TRAGEDY OF THE MARSH XVIII. GREEK AND BARBARIAN XIX. THE ROUT OF THE SATRAPS XX. MENA MAKES A DISCOVERY XXI. PHRADATES TRIUMPHS XXII. THE VISION OF DANIEL, THE VICEROY XXIII. IN THE WHIRLWIND'S TRACK XXIV. THE GORDIAN KNOT XXV. BESSUS COMES TO BABYLON XXVI. THE GREAT KING IS ANGRY XXVII. NATHAN KEEPS HIS WORD XXVIII. BETWEEN EARTH AND SKY XXIX. THE SLUICE GATE XXX. LEONIDAS UNDERTAKES A MISSION XXXI. ALEXANDER IS SURPRISED XXXII. THE WORLD AT STAKE XXXIII. THE CHESTNUT MARE XXXIV. IN THE PAVILION OF THE QUEENS XXXV. PHRADATES MAKES A WAGER XXXVI. TYRE ACCEPTS THE CHALLENGE XXXVII. THE JEST OF KING AZEMILCUS XXXVIII. MENA REVEALS A SECRET XXXIX. JOEL BRINGS BAD NEWS XL. THE GAP OF DEATH XLI. PRINCE HUR'S COUNTERPLOT XLII. A TRAITOR IN PURPLE XLIII. THI KING TAKES HIS REVENGE XLIV. THE REVOLT OF THE ISRAELITES XLV. MOLOCH CLAIMS HIS SACRIFICE XLVI. THE PASSING OF A GOD XLVII. SYPHAX SQUARES HIS ACCOUNT XLVIII. THAIS GIVES A FEAST XLIX. CHARES FINDS REST L. PROMISES FULFILLED LI. AMID FRAGMENTS OF EMPIRE

Athens was rousing herself from sleep. The beams of the morning sun bathed the rugged sides of Mount Hymettus and lightened the dark foliage that clothed the nearer wooded slopes of Lycabettus. The low, flat-roofed houses of the city were still nothing more than blurred masses of gray in the shadow; but presently a ray touched the point of Athene's spear, and the flood of orange light flowed over the Acropolis. Its temples and statues were enveloped in a radiance which fused the rich, harmonious colors of column and cornice and melted the massive outlines into a resplendent whole, rising immortal from the gloom at its base.

Thin curls of smoke mounted here and there above the housetops, straight up toward the limitless turquoise vault of the sky. The vivifying freshness of the new-born day was in the air.

There was a clatter of hoofs in the Street of Pericles, and two young men, followed by three mounted servants, swung into view.

"By Zeus, Leonidas!" cried the foremost of the riders, drawing rein and pointing to the Acropolis, "that is worth riding all night to see!"

"You mean the sunrise?" the other asked, also coming to a halt. "Pshaw! You may see that any day without sitting up for it."

"Not I!" said his companion, laughing. "I love the lamps too well."

Leonidas shrugged his square shoulders. "It's not the lamps you love, Chares," he returned dryly. "But why are we idling here? Unless we make haste, Clearchus will be out of bed before we can surprise him."

"Come on, then!" Chares cried, urging his tired horse. "By Heracles! what's that?"

The three servants had ridden forward in advance of their masters. From the direction they had taken, the young men heard a confusion of angry voices, mingled with oaths. In another moment they saw that the street was blocked by a gorgeous litter borne on the shoulders of four sturdy slaves and surrounded by a dozen more, some of whom carried torches which burned pale in the morning light. The litter-bearers had refused to draw aside, and the guard was attempting to turn the horsemen back. Evidently some youth had been overtaken at his revelry by the dawn and was now being carried home by slaves who had followed his example at the wine-cup.

A bustling little man, with close-cropped hair and the sharp-nosed face of a fox, was shaking his sword in the faces of the riders.

"Back with you! Back!" he shouted. "Do you seek to halt the noble Phradates? Back, while you may!"

The curtains of the litter parted, and a young man's face, crimson with wrath and wine, appeared at the opening. He wore upon his head a wreath of wilted roses, which had slipped sidewise over one ear.

"What is the matter, Mena?" he called thickly. "Cut the rascals down!"

The three servants hesitated, looking back to their masters for instructions.

"Here is sport!" Chares cried, his eyes sparkling. "Let us ride through them! They need a lesson."

Leonidas made no answer, but shook his bridle rein free and plunged his spurs into the flanks of his horse.

"Way! Way!" Chares cried in a mighty voice, as they thundered down upon the obstinate group. "Follow us, my lads!" he shouted to the servants as he swept past.

The officious man with the sharp nose dropped his sword and scrambled up the steps of a house, but before the rest could follow his example the five horsemen were among them, and they were rolling under foot with their torches. Chares swerved his horse skilfully against the litter in such a manner that it was overturned. Its occupant pitched head foremost into the street, and the litter fell on top of him, burying him beneath a mass of curtains and silken cushions, among which he struggled like some gigantic insect caught in a web.

"You shall pay for this!" he gasped from the wreckage, shaking his fist after the little cavalcade. "I am Phradates!"

Chares laughed until the street echoed, and even Leonidas could not forbear a smile when he glanced back upon the havoc their passage had caused.

"We must ask Clearchus who this fellow is," Chares said. "Here is the house."

He sprang down in front of a dwelling of white marble and ran to the gate.

"Hola!" he shouted. "Let us in! Do you intend to keep your master's guests all day at his door? Open, then!"

After a slight delay there was a sound of falling bars, and the grating swung back, revealing a drowsy slave in the entrance.

"Is it you, my master? Enter; you are welcome," the man said, bowing before Chares.

"Is Clearchus awake?" Chares demanded eagerly.

"I think not, sir," the slave replied.

"Then we will rouse him!" Chares cried, running across the outer court and into the house. Leonidas followed more deliberately, leaving the attendants to care for the horses.

Chares did not stop to return the greeting of the slave who opened the house door for him, but dashed through the corridor that led to the inner court, shouting at the top of his voice: "Clearchus! Wake up, sluggard, and feed the hungry, or the Gods will turn their faces from you! Dreamer, where art thou?"

Just as he emerged from the corridor to the spacious inner court, the young man came suddenly upon a fresh-faced slave girl, who was busied with some early duties about the broad cistern filled with lotus flowers.

"Aphrodite, as I live!" Chares cried, throwing his arms about her and kissing her on the lips with a smack. The girl fled, laughing and blushing, to the women's quarters, and at the same moment the master of the house, awakened by the uproar, appeared on the threshold of his chamber.

"Chares!" he cried, coming forward with outstretched hands. "Who else could it be, indeed!"

"Oh, Clearchus," Chares said, "what hardships and perils we have passed to reach thee!"

"And here is Leonidas," said the Athenian, freeing himself from the embrace of Chares as the second of his guests entered the court. "Both my brothers here! For this I owe a sacrifice of thanksgiving which I shall not fail to pay. But what fortunate chance brings you to Athens?"

"We were sitting quietly enough in Thebes, talking of you," Leonidas replied, "when this madcap declared that he would not live another day without seeing you and that he intended to make you give him breakfast. Piso, who was with us, fell into dispute with him, offering to wager twenty minæ that we could not ride here before midday. Chares maintained that he would wake you this morning or forfeit the stake, and here we are."

"And so you have ridden all night?" Clearchus asked.

"All night, amid dangers and darkness, only to see you!" Chares replied gayly, throwing his arm around his friend's shoulder. "And now, have you anything to eat in the house? I am like a famished wolf."

"Come with me," Clearchus said, leading the way into a large room opening from the left of the court. The sunlight streamed in from the garden outside, over rich Persian carpets which covered the floor. The walls were frescoed with scenes from the Iliad of Homer, drawn with marvellous skill. Painted statuettes stood in niches of stone. Chairs and tables of ebony, cypress, and cedar were scattered through the room, and soft couches invited rest. Clearchus struck a bell, and a grave man of middle age appeared in the doorway.

"Send us food, Cleon," Clearchus said.

The steward withdrew, and two younger slaves entered. They quickly divested Chares and Leonidas of their riding cloaks and swords and washed their hands in bowls of scented water, drying them upon linen towels. They were followed by other slaves bearing trays of cold fowl, bread, and wine.

"This seems like getting home," Chares exclaimed, throwing himself upon one of the couches and leaning back luxuriously upon the cushions of down which the slaves hastened to arrange behind him while he helped himself to food from the table. "By the Gods, Clearchus, unless you stop growing handsome, Phœbus will be jealous of you!"

The Athenian flushed like a girl. He was a clean-cut, clear-eyed young man, hardly more than twenty-one years old, with a face and figure that might have served as a model for Phidias himself. Although slender, his form was graceful, with the ease that comes only from well-trained muscles. Brown curls covered his head, and the glance of his dark eyes was steady and straightforward, with a singular earnestness. His expression was thoughtful and his mouth betrayed a sensitive delicacy.

His parents had died when he was still a lad. His father, Cleanor, bequeathed to him an immense fortune, amassed in the mines, which had been managed by his uncle, Ariston, until he became of age. His wealth made him envied by the fashionable young men of Athens, but he had few friends among them. He cared nothing for their drinking-bouts, cock-fights, and gaming, and he had no ambition in politics except to do his duty as a citizen of Athens. Deep in his heart he worshipped the city and her glorious achievements, especially those of the intellect, with fanatical devotion.

Chares, too, belonged to a family of wealth and influence, for his father, Jason, had been one of the foremost men in Thebes. In height he stood more than six feet, and the knotted muscles of his arms indicated enormous strength. He was buoyant, light-hearted, irresponsible, and pleasure-loving. His affection for the Athenian, whom he had known from boyhood, was the strongest impulse in him.

They had first met Leonidas at the Olympic Games, where he won the laurel crown in the chariot race, and they had there admitted him to their friendship. Different as they were from each other, there seemed little in common between either of them and the swarthy Lacedæmonian who lay eating silently while they chattered gossip of mutual acquaintances. Leonidas was rather below the middle stature, all bone and sinew, practised in arms, and inured to hardships from his childhood by the unbending discipline of Sparta. His dark hair grew low down on his forehead and his black eyes were set deep under overhanging brows. He neither shared nor wished to understand the delight which Clearchus felt in a perfect statue or a masterpiece of painting. He scorned the philosophers and poets. Upon the questionable pleasures to which Chares gave his days and nights, he looked with good-natured contempt. The narrow prejudices of his country were ingrained too deeply in his character to be disturbed by any change of surroundings. He valued more highly the consciousness that in his veins ran a few drops of the blood of the Lion of Thermopylæ than all the riches of the world.

In each of the three young men who met in the house of Clearchus were typified many of the characteristics of the states to which they belonged. Athens, Thebes, and Sparta in turn had held the supremacy in the little peninsula to which the civilized world was confined. Contrasted as they were, there was still a bond between them that had been welded by centuries of association.

"Tell me," Clearchus said, after their hunger had been somewhat appeased, "what is the news of Thebes? Are the Macedonians still perched in the Cadmea?"

"They are," Chares replied lazily. "We are still in the grasp of the barbarian; but our plotters are at work and they tell me that soon we shall break it."

"Do you mean they are planning revolt?" Clearchus asked eagerly.

"Don't get excited," the Theban responded. "It will give you indigestion. They have revolted already, thanks to the gold your city sent them, and the barbarians are eating their corn in the citadel just at present, waiting for something to turn up."

"But that means war, Chares," Clearchus exclaimed.

"Well," Chares replied, "that will give Leonidas a chance to clear the rust from his sword. You know he is in the market."

"That is true," the Spartan said in response to Clearchus' glance of inquiry. "No man can live on air. I follow my profession where there is work to be done."

There was nothing disgraceful in this avowal. If his own country was at peace, a Greek soldier might sell his sword to the highest bidder, as did Xenophon, without reproach.

"And I suppose you, too, will be fighting, Chares?" said Clearchus.

"As to that, I don't know," the Theban answered, stretching himself with a yawn. "Perhaps the best thing that could happen to us would be to have the Macedonian conquer and rule. It would put an end to our own wars. If matters go on as they have been going, all three of us may be trying to cut each other's throats before the month is out."

"No," Clearchus exclaimed, "that cannot be, because you must promise me to stay here and drink at my wedding feast at the next new moon."

"What, Clearchus! you are going to be married?" Chares cried, springing from his couch. "Who is she?"

"Artemisia, daughter of Theorus," Clearchus answered. "She is the most beautiful--"

"Ho, Cleon, Cleon! Where are you?" Chares shouted at the top of his voice. "Cleon, I say!"

The steward ran into the room in alarm.

"Bring wine of Cyprus, quickly!" Chares cried, waving his arms.

Cleon vanished with a smile, and Chares hastened to embrace his friend with a fervor that threatened to crack his ribs. Leonidas grasped him warmly by the hand, and both showered congratulations upon him.

"We pledge thee!" Chares cried, taking the wine that Cleon brought in a great beaker of carved silver and raising it to his lips, after spilling a portion of its contents in libation.

"May the Gods give thee happiness!" Leonidas said, drinking deep in his turn.

"Neither war, famine, nor pestilence shall take us from thee until thou art married," Chares cried, half in jest. "We swear it, Leonidas, by the head of Zeus!"

"We swear it!" the Spartan echoed, and each of them again pressed the young man's hand.

"I expected no less of you," Clearchus said, smiling into the faces of his companions. "It makes my heart glad to know that you will be with me. But after your long ride you must both be used up. I will leave you to get an hour or two of sleep before the Assembly which has been called for this afternoon to hear what Demosthenes has to say upon our policy toward Macedon. You will want to hear him, of course."

"Go, Clearchus," Chares said, laughing. "That is a long speech to tell us that you would like to be rid of us while you go to your Artemisia. Come back in time for the bath, that's all."

WARNING FROM THE GODS

A few miles west of Athens, in the suburb of Academe, dwelt Melissa, aunt and guardian of Artemisia. She was an invalid, bedridden for the greater part of the year, and she had chosen to live in the country that she might not be disturbed by the city noises. She had never married, and no departure from the routine of her well-ordered house was permitted. She loved her niece; but she was not sorry to have her marry, because, as she said, her own hold upon life was so uncertain, and besides, the match was a brilliant one.

Her household consisted of Philox, her steward, who had managed her affairs for a score of years, Tolmon, her gardener, and a dozen women slaves who, like their mistress, had passed the prime of life.

In Melissa's old-fashioned garden Artemisia, with two little slave girls to help her, was at work over a hedge of roses. She had not yet reached her nineteenth year. Her soft, light brown hair was gathered in a knot at the back of her head, showing the graceful curve of the nape of her neck and half revealing the little pink lobes of her ears. Her forehead was low and smooth and broad, with delicately arched brows, a shade darker than her hair. Her eyes were blue and the color in her cheeks was heightened by her exertions in bringing the straying rose stems into place. The folds of her pure white chiton left her warm arms bare to the shoulder and defined the youthful lines of her supple figure. As she stooped among the flowers, handling them with gentle touches, she seemed preoccupied, and her glance continually wandered from her task.

Agile as monkeys, the slave girls darted about her, pelting each other with blossoms and uttering peals of shrill laughter. Their short white tunics made their swarthy skins darker by contrast.

The garden was set in a tiny meadow beside the river Cephissus. It was shut in on both sides by groves of olive and fig trees, against whose dark foliage gleamed the marble front of the house to which it belonged. The sunlight swept the smooth emerald of the turf, touched the brilliant hues of the flowers, and flashed back from the rippling river beyond.

"Oh, mistress, there's a beautiful butterfly! Oh, please, may I catch him?" cried one of the little girls.

"Hush, chatterbox," said Artemisia; "come and help me here."

"Ouch, that awful thorn! Look, mistress, how my finger bleeds," the other girl said, holding up her small brown hand.

"Will you never end your nonsense?" the young woman asked in affected despair. "See, Proxena, we have not half finished."

"Don't be angry with us, mistress; see who's coming!" Proxena cried, taking her wounded finger from her mouth and pointing with it toward the house.

Clearchus must have ridden fast to arrive so soon after leaving his friends. Artemisia, hastily plucking a half-blown rose, went forward to meet him, while the little slave girls remained behind, peeping slyly with sidelong glances and whispering to each other while they pretended to busy themselves with their work.

"Greeting, Artemisia, my Life!" Clearchus said, taking her hands in his.

"Greeting, Clearchus; I am glad to see thee," she replied.

"How beautiful thou art and how fortunate am I, my darling," the young man said radiantly. "Dost thou love me, Artemisia?"

"Thou knowest well that I do, Clearchus," she answered reproachfully. "Why dost thou ask?"

"For the joy of hearing thee say it once more," he said, laughing. "There is nothing the Gods can give that could be sweeter or more precious to me, and to add the last touch to my happiness, Chares and Leonidas came this morning and have promised to stay until our wedding."

They had been strolling toward the grove at the edge of the meadow, where a bench of carved stone, overhung with trailing vines, was set in the shade in such a position as to permit its occupants to look out over the garden and the river. They sat down side by side and Clearchus slipped his arm about Artemisia's waist. Evidently, with the subtle sense of a lover, he detected a lack of responsiveness, for he bent forward and gazed anxiously into her face. He saw that it was troubled.

"What is the matter, my dearest?" he asked in sudden alarm.

She hesitated for a moment. "Oh, Clearchus, I fear that we are too happy," she said at last in reply.

Robert H. Fuller's The Golden Hope opens with a quotation from North's Plutarch that frames Alexander as a figure of contradictions—"his valiantness is gentle, his gentleness valiant"—and the novel itself mirrors this complexity. The catalog subjects list it as an adventure story set during Alexander's Macedonian expansion, but the excerpts reveal a narrative equally concerned with the Persian court's internal decay. A Jewish character named Joel describes a world where "faith and honor are lost" and "servants betray their masters," suggesting the novel uses Alexander's invasion as a backdrop for exploring moral and political corruption.

The Persian Court as a Web of Intrigue

The excerpts devote considerable space to the Persian court, not as a passive setting but as a network of treachery. Joel, a Jew in the palace, warns the Greeks Clearchus and Chares that "each man's hand is against his neighbor" and that the queen mother Sisygambis wields almost as much power as King Darius. The gynaeceum is described as "a nest of intrigues," and even looking upon the queen Statira is punishable by death. This detail—"It is death to look upon the face of one of the king's women"—grounds the court's danger in a specific, culturally resonant rule. The catalog subject "Greece -- History -- Macedonian Expansion" might lead readers to expect a focus on Greek military action, but the excerpts show Fuller investing heavily in Persian court dynamics, perhaps to dramatize the empire's vulnerability from within.

Divination and Competing Prophecies

A key scene involves Darius's dream, which the Chaldean priests interpret as a promise of victory over Alexander: the Macedonian army burns to ashes, and Alexander appears as a servant who vanishes. But Joel reports that "our wise men"—the Jewish priests—read the dream oppositely: the fire signifies Macedonian glory, and Alexander's servant garb foretells victories like Darius's own. This clash of interpretations is not merely decorative; it reflects the novel's interest in how different cultural and religious frameworks make sense of the same events. The catalog does not mention religious conflict, yet the excerpts present a world where "Baal and Astarte have their temples" alongside Egyptian deities, and where Joel speaks of Jehovah with awe, glancing about "as though he half expected a thunderbolt to fall." The novel thus embeds Alexander's campaign within a broader contest of gods and prophecies.

Voice and Perspective: The Greek Mercenaries

The excerpts introduce two Greek characters, Clearchus and Chares, who serve as audience surrogates. Clearchus is described as having "Athenian perception," and Chares responds to Joel's warnings with a gruff pragmatism: when told of the danger of looking upon the queen, he grumbles, "They seem to be very particular!" This contrast—between the cynical, observant Athenian and the blunt soldier—suggests the novel uses their differing reactions to highlight cultural shock and the moral ambiguity of serving a foreign king. The catalog's "Adventure stories" label fits, but the excerpts show that the adventure is as much about navigating political and religious minefields as about battle. The Greeks are not heroes in a straightforward sense; they are mercenaries bartering their swords, as chapter X's title "Chares Barters His Sword" implies.

Readers approaching The Golden Hope through its catalog subjects should expect a novel that uses Alexander's era as a stage for intrigue rather than a straightforward military chronicle. The excerpts suggest Fuller is less interested in battles than in the moral and religious tensions within the Persian Empire, filtered through the eyes of Greek outsiders. The Jewish perspective of Joel offers a distinctive lens, one that challenges both Persian and Greek assumptions. This is a story of spies, prophecies, and shifting loyalties, where the golden hope may be as much about survival as conquest.

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    Amy Thomas - 4 weeks ago
    The Golden Hope offers a decent portrayal of Alexander's time, with some engaging moments. The plot is straightforward, and the historical backdrop adds interest. However, the pacing lags in places, and the protagonist's development feels predictable. Still, it's an adequate read for those curious about this period.

  • ...
    Ryan Hardy - 2 weeks ago
    Despite the promising premise, The Golden Hope disappoints. The characters are flat, and the dialogue feels forced. The historical accuracy is questionable, and the adventure lacks the excitement advertised. The pacing drags, making it a tedious read overall. Historical fiction enthusiasts may want to look elsewhere.

  • ...
    David Case - 1 week ago
    An exhilarating journey through ancient history! The Golden Hope captures the spirit of Alexander's era with vivid battle scenes and rich detail. The characters are compelling, and the plot twists kept me turning pages late into the night. A must-read for historical fiction fans seeking adventure and depth.


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