The Colonel of the Red Huzzars — Story, Setting & Ideas
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I. A PICTURE AND A WAGER II. CONCERNING ANCESTORS III. IN DORNLITZ AGAIN IV. THE SALUTE OF A COUSIN V. THE SALUTE OR A FRIEND VI. THE SIXTH DANCE VII. AN EARLY MORNING RIDE VIII. THE LAWS OF THE DALBERGS IX. THE DECISION X. THE COLONEL OF THE RED HUZZARS XI. THE FATALITY OF MOONLIGHT XII. LEARNING MY TRADE XIII. IN THE ROYAL BOX XIV. THE WOMAN IN BLACK XV. HER WORD AND HER CERTIFICATE XVI. THE PRINCESS ROYAL SITS AS JUDGE XVII. PITCH AND TOSS XVIII. ANOTHER ACT IN THE PLAY XIX. MY COUSIN, THE DUKE XX. A TRICK OF FENCE XXI. THE BAL MASQUE XXII. BLACK KNAVE AND WHITE XXIII. AT THE INN OF THE TWISTED PINES XXIV. THE END OF THE PLAY
"You are a soldier--an American officer?" she said, suddenly. . . . . . _Frontispiece_
Then, as he unbent, his eyes rested on me for the first time.
Our swords fell to talking in the garden of the masked ball.
THE COLONEL OF THE RED HUZZARS
A PICTURE AND A WAGER
It was raining heavily and I fastened my overcoat to the neck as I came down the steps of the Government Building. Pushing through the crowds and clanging electric cars, at the Smithfield Street corner, I turned toward Penn Avenue and the Club, whose home is in a big, old-fashioned, grey-stone building--sole remnant of aristocracy in that section where, once, naught else had been.
For three years I had been the engineer officer in charge of the Pittsburgh Harbor, and "the navigable rivers thereunto belonging"--as my friend, the District Judge, across the hall, would say--and my relief was due next week. Nor was I sorry. I was tired of dams and bridges and jobs, of levels and blue prints and mathematics. I wanted my sword and pistols--a horse between my legs--the smell of gunpowder in the air. I craved action--something more stirring than dirty banks and filthy water and coal-barges bound for Southern markets.
Five years ago my detail would have been the envy of half the Corps. But times were changed. The Spanish War had done more than give straps to a lot of civilians with pulls; it had eradicated the dry-rot from the Army. The officer with the soft berth was no longer deemed lucky; promotion passed him by and seized upon his fellow in the field. I had missed the war in China and the fighting in the Philippines and, as a consequence, had seen juniors lifted over me. Yet, possibly, I had small cause to grumble; for my own gold leaves had dropped upon me in Cuba, to the disadvantage of many who were my elders, and, doubtless, my betters as well. I had applied for active service, but evidently it had not met with approval, for my original orders to report to the Chief of Engineers were still unchanged.
The half dozen "regulars," lounging on the big leather chairs before the fireplace in the Club reception-room, waiting for the dinner hour, gave me the usual familiar yet half indifferent greeting, as I took my place among them and lit a cigar.
"Mighty sorry we're to lose you, Major," said Marmont. "Dinner won't seem quite right with your chair vacant."
"I'll come back occasionally to fill it," I answered. "Meanwhile there are cards awaiting all of you at the Metropolitan or the Army and Navy."
"Then you don't look for an early assignment to the White Elephant across the Pacific?" inquired Courtney.
"Good Lord!" exclaimed Hastings, "did you apply for the Philippines?"
"What ails them?" I asked.
"Everything--particularly Chaffee's notion that white uniforms don't suit the climate?"
I shrugged my shoulders.
"Is that a criticism of your superior officer?" Marmont demanded.
"That is never done in the Army," I answered.
"Which being the case let us take a drink," said Westlake, and led the way to the café.
"Looks rather squally in Europe," Courtney observed, as the dice were deciding the privilege of signing the check.
"It will blow over, I fancy," I answered.
"Have you seen the afternoon papers?"
"Then you don't know the Titian Ambassador has been recalled."
"Indeed! Well, I still doubt if it means fight."
Courtney stroked his grey imperial. "Getting rather near one, don't you think?" he said.
"No closer than France and Turkey were only a short while ago," I answered. "Moreover, in this case, the Powers would have a word to say."
"Yes, they are rather ready to speak out on such occasions; but, unless I'm much mistaken, if the Titians and the Valerians get their armies moving it will take more than talk from the Powers to stop them."
"And it's all over a woman," I observed carelessly.
Courtney gave me a sharp glance. "I thought that was rather a secret," he replied.
I laughed. "It's one, at least, that the newspapers have not discovered--yet. But, where did you get it?"
"From a friend; same as yourself," he said, with the suggestion of a smile.
"My dear fellow," I said. "I know more about the Kingdom of Valeria than--well, than your friend and all his assistants of the State Department."
"I don't recall mentioning the State Department," Courtney replied.
"You didn't. I was honoring your friend by rating him among the diplomats."
He ignored my thrust. "Ever been to Valeria?" he asked.
"About six years ago."
"Is that the last time?"
"What are you driving at?" I asked.
He answered with another question: "Seen the last number of the London Illustrated News?"
He struck the bell. "Bring me the London News," he said to the boy. Opening it at the frontispiece he pushed it across to me.
"Has she changed much since you saw her?" he asked, and smiled.
It was a woman's face that looked at me from the page; and, though it was six years since I had seen it last, I recognized it instantly. There was, however, a certain coldness in the eyes and a firm set of the lip and jaw that were new to me. But, as I looked, they seemed to soften, and I could have sworn that for an instant the Princess Dehra of Valeria smiled at me most sweetly--even as once she herself had done.
"You seem uncommonly well pleased with the lady," Courtney observed.
I handed back the News.
"You have not answered my question," he insisted.
"Look here, Courtney," I said, "it seems to me you are infernally inquisitive to-night."
"Maybe I am--only, I wanted to know something," and he laughed softly.
"I think I know it now," he said.
"Do you?" I retorted.
"Want to make a bet?" he asked.
"I never bet on a certainty," said I.
Courtney laughed. "Neither do I, so here's the wager:--a dinner for twenty that you and I are in Valeria thirty days from to-night and have dined with the King and danced with the Princess."
"All I stipulate is that you do nothing to avoid King Frederick's invitation."
"And the Princess?" I asked.
"I'm counting on her to win me the bet," he laughed.
I picked up the picture and studied it again. The longer I looked the more willing I was to give Courtney a chance to eat my dinner.
"If the opportunity comes I'll dance with her," I said.
"Of course you will--but will you stop there, I wonder?"
I tapped my grey-besprinkled hair.
"They are no protection," he said. "I don't trust even my own to keep me steady against a handsome woman."
"They are playing us false even now," said I. "I'm not going to Valeria to decide a dinner bet."
"You're not. You're going as the representative of our Army to observe the Valerian-Titian War."
"You're as good as a gypsy or a medium. When do I start?"
"Don't be rude, my dear chap, and forget that, under the wager, I'm to be in the King's invitation--also the dance. We sail one week from to-day."
"A bit late to secure accommodations, isn't it?"
"They are booked--on the Wilhelm der Grosse."
"You are playing a long shot--several long shots," I laughed:--"War--Washington--me."
"Wrong," said Courtney. "I'm playing only War. I have the Secretary and the Princess has you."
"You have the Secretary!"
"The Devil!" I exclaimed, lifting my glass abstractedly.
"The Princess! you mean," said Courtney quickly, lifting his own and clicking mine.
I looked at the picture again--and again it seemed to smile at me.
"The Princess!" I echoed; and we drank the toast. "We're a pair of old fools," said I, when the glasses were emptied.
Courtney picked up the News and held the picture before me.
"Say that to her," he challenged.
"I can't be rude to her very face," I answered lamely.
Just then one of the "buttons" handed me a telegram. I tore open the yellow envelope and read the sheet, still damp from the copy-press. It ran:--
"Titia declares war. Detail as attaché open. If desired report at headquarters immediately. Hennecker relieves you in morning. Answer."
"(signed) HENDERSON, A. A. G."
I tossed it over to Courtney. "You're that much nearer the dinner," I said.
"And the Princess also," he added.
"Then you're actually going?" I asked.
"My dear Major, did you ever doubt it?"
"Your vagaries are past doubting," I answered.
"I am going under orders of the War Department."
"Of course," he answered, "of course. And, that being so, you won't mind my confessing that I'm going largely on account of--a woman."
"I won't mind anything that gives me your companionship."
"So, it's settled," he said. "Let us have some dinner, and then cut in for a farewell turn in the game of hearts upstairs."
"It will be another sort of game over the water," I observed.
"Yes--with a different sort of hearts," he said thoughtfully.
"Is it possible, Courtney, you are growing sentimental?" I demanded.
He shrugged his shoulders. "There's no fool like an old fool, you know," he answered.
"Unless it be one that is just old enough to be neither old nor young," said I.
Then we went in to dinner.
Courtney is a good fellow; one of the best friends a man can have; well born, rich, with powerful political connections in both Parties, and having no profession nor necessary occupation to tie him down. His tastes ran to diplomacy, and Secretaries of State--knowing this fact, and being further advised of it at various times by certain prominent Senators--had given him numerous secret missions to both Europe and South America. Legations had been offered to him but these he had always declined; for, as he told me, he preferred the quiet, independent work, that carried no responsible social duties with it.
It happened that General Russell, our representative at the Court of Valeria, was home on vacation. Naturally, he would now return in all haste. Here, I imagined, was an explanation of my sudden orders. He was an intimate of our family; had known me since childhood, and, doubtless, had asked for my detail to his household, and also for Courtney's. And Courtney, naturally, having been early consulted in the matter, knew all the facts and so was able to bluff at me with them. It would be just as well to call him.
"Is General Russell crossing with us?" I asked carelessly.
Courtney shook his head. "He is not going back to Valeria."
"Oh!" said I, realizing suddenly my mistake, "I didn't appreciate I was dining with an Ambassador."
"It's not yet announced. However, I'm glad it does not change me," he laughed.
"I can tell that better after we reach Valeria--and you have danced with the Princess."
He sipped his coffee meditatively. "Yes, there may be changes in Valeria in us both," he said presently.
"Don't do the heavy reproof if I chance to forget the difference in our rank," I answered. "But you must manage one turn for me with Her Royal Highness, if you're to eat my dinner, you know."
"How many times have you been to Valeria?" he asked suddenly.
"Some half dozen," I replied, surprised.
"Ever been in the private apartments of the Palace of Dornlitz?"
"I mean, particularly, the corridor where hang the portraits of the Kings?"
"I don't recall them."
He laughed shortly. "Believe me, you would recall them well," he said.
"What the devil are you driving at?" I asked.
"I'll show you the night you dance with the Princess."
"A poor army officer doesn't usually have such honors."
"No--not if he be only a poor army officer. But, if he chance to be----"
"Well," I said, "be what?"
"I'll tell you in the picture gallery," he answered.
And not another word would he say in the matter.
However, I did not need to wait so long for my answer. I knew it quite as well as Courtney--maybe a trifle better. Nevertheless, it is a bit jolting to realize, suddenly, that some one has been prying into your family history.
On the west wall of the Corridor of Kings, in the Palace of Dornlitz, hung the full-length portrait of Henry, third of the name and tenth of the Line. A hundred and more years had passed since he went to his uncertain reward; and now, in me, his great-great-grandson, were his face and figure come back to earth.
I had said, truly enough, that I had never been in the Gallery of Kings. But it was not necessary for me to go there to learn of this resemblance to my famous ancestor. For, handed down from eldest son to eldest son, since the first Dalberg came to American shores, and, so, in my possession now, was an ivory miniature of the very portrait which Courtney had in mind.
And the way of it, and how I chanced to be of the blood royal of Valeria, was thus:
Henry the Third--he of the portrait--had two sons, Frederick and Hugo, and one daughter, Adela. Frederick, the elder son, in due time came to the throne and, dying, passed the title to his only child, Henry; who, in turn, was succeeded by his only child, Frederick, the present monarch.
Adela, the daughter, married Casimir, King of Titia,--and of her descendants more anon.
Hugo, the younger son, was born some ten years after his brother,--to be accurate, in 1756,--and after the old King had laid aside his sword and retired into the quiet of his later years. With an honestly inherited love of fighting, and the inborn hostility to England that, even then, had existed in the Valerians for a hundred years, Hugo watched with quickening interest the struggle between the North American Colonies and Great Britain which began in 1775. When the Marquis de Lafayette threw in his fortunes with the Americans, Hugo had begged permission to follow the same course. This the old King had sternly refused; pointing out its impropriety from both a political and a family aspect.
But Hugo was far from satisfied, and his desire to have a chance at England waxing in proportion as the Colonies' fortunes waned, he at last determined to brave his fierce old father and join the struggling American army whether his sire willed it or no. His mind once formed, he would have been no true son of Henry had he hesitated.
The King heard him quietly to the end,--too quietly, indeed, to presage well for Hugo. Then he answered:
"I take it sir, your decision is made beyond words of mine to change. Of course, I could clap you into prison and cool your hot blood with scant diet and chill stones, but, such would be scarce fitting for a Dalberg. Neither is it fitting that a Prince of Valeria should fight against a country with which I am at peace. Therefore, the day you leave for America will see your name stricken from the rolls of our House, your title revoked, and your return here prohibited by royal decree. Do I make myself understood?"
So far as I have been able to learn, no one ever accused my great-grandfather of an inability to understand plain speech, and old Henry's was not obscure. Indeed, Hugo remembered it so well that he made it a sort of preface in the Journal which he began some months thereafter, and kept most carefully to the very last day of his life. The Journal says he made no answer to his father save a low bow.
Two days later, as plain Hugo Dalberg, he departed for America. For some time he was a volunteer Aide to General Washington. Later, Congress commissioned him colonel of a regiment of horse; and, as such, he served to the close of the war. When the Continental Army was disbanded, he purchased a place upon the eastern shore of Maryland; and, marrying into one of the aristocratic families of the neighborhood, settled down to the life of a simple country gentleman.
He never went back to the land of his birth, nor, indeed, even to Europe. And this, though, one day, there came to his mansion on the Chesapeake the Valerian Minister to America and, with many bows and genuflections, presented a letter from his brother Frederick, announcing the death of their royal father and his own accession, and offering to restore to Hugo his rank and estates if he would return to court.
And this letter, like his sword, his Order of the Cincinnati, his commissions and the miniature, has been the heritage of the eldest son. In his soldier days his nearest comrade had been Armand, Marquis de la Rouerie, and for him his first-born was christened; and hence my own queer name--for an American: Armand Dalberg.
There was one of the traditions of our House that had been scrupulously honored: there was always a Dalberg on the rolls of the Army; though not always was it the head of the family, as in my case. For the rest, we buried our royal descent. And though it was, naturally, well known to my great-grandsire's friends and neighbors, yet, in the succeeding generations, it has been forgotten and never had I heard it referred to by a stranger.
Therefore, I was surprised and a trifle annoyed at Courtney's discovery. Of course, it was possible that he had been attracted only by my physical resemblance to the Third Henry and was not aware of the relationship; but this was absurdly unlikely, Courtney was not one to stop at half a truth and Dalberg was no common name. Doubtless the picture had first put him on the track and after that the rest was easy. What he did not know, however, but had been manoeuvring to discover, was how far I was known at the Court of Valeria. Well, he was welcome to what he had got.
Now, as a matter of fact, it was quite likely that the Dalbergs of Dornlitz had totally forgotten the Dalbergs of America. Since Frederick's minister had rumbled away from that mansion on the Chesapeake, a century and more ago, there had been no word passed between us. Why should there be? We had been disinherited and banished. They had had their offer of reinstatement courteously refused. We were quits.
I think I was the first of the family to set foot within Valeria since Hugo left it. Ten years ago, during a summer's idling in Europe, I had been seized with the desire to see the land of my people. It was a breaking of our most solemn canon, yet I broke it none the less. Nor was that the only time. However, I had the grace,--and, possibly, the precaution,--to change my name on such occasions. In the Kingdom of Valeria I was that well-known American, Mr. John Smith.
I did the ordinary tourist; visited the places of interest, and put up at the regular hotels. Occasionally, I was stared at rather impertinently by some officer of the Guards and I knew he had noted my resemblance to the national hero. I never made any effort to be presented to His Majesty nor to establish my relationship. I should have been much annoyed had anything led to it being discovered.
Once, in the park of the palace, I had passed the King walking with a single aide-de-camp, and his surprise was such he clean forgot to return my salute; and a glance back showed him at a stand and gazing after me. I knew he was thinking of the portrait in the Corridor of Kings. That was the last time I had seen my royal cousin.
The novel opens with a rain-soaked Pittsburgh scene that immediately establishes the narrator's restlessness: he is an engineer officer who 'wanted my sword and pistols—a horse between my legs—the smell of gunpowder in the air.' This craving for action, set against the mundane details of dams and coal-barges, signals a protagonist who views his current post as a professional dead end. The first chapter quickly pivots to a wager, a device that propels the plot forward with a brisk, almost theatrical economy. Scott's prose favors short, declarative sentences and a colloquial first-person voice that blends self-deprecation with bravado, as when the narrator admits his gold leaves came 'to the disadvantage of many who were my elders.'
Diction and the Officer's Voice
The narrator's language is a mix of military precision and conversational ease. He refers to 'levels and blue prints and mathematics' with a dismissive rhythm, then shifts to 'my sword and pistols' with a romantic flourish. This duality persists throughout the excerpts: technical terms like 'the navigable rivers thereunto belonging' sit alongside slang like 'Gad!' and 'old man.' Scott uses this contrast to underscore the protagonist's internal conflict between duty and desire. The dialogue is similarly efficient—characters often speak in short, pointed exchanges that advance the mystery without exposition. For instance, Courtney's line 'The lady has been purchased by someone to come here and pose as your wife' delivers a plot revelation in a single sentence, relying on the reader's ability to infer the stakes.
The Wager as Structural Engine
The opening chapter's wager is not merely a plot hook but a structural principle. Scott frames the entire narrative around bets, challenges, and games of chance—verbal, social, and romantic. The narrator's friend Courtney treats the unfolding crisis as a card game: 'Lotzen does not hold all the cards—you've got a few trumps, too.' This metaphor recurs in chapter titles like 'Pitch and Toss' and 'Black Knave and White,' reinforcing a worldview where honor and love are gambled. The wager also dictates pacing: scenes move quickly from one confrontation to the next, with little interior reflection. Even the romance is couched in competitive terms—the Princess is 'a treasure' who has 'measured the Spencer woman's story,' as if she has won a hand.
Setting as Character: Pittsburgh and Dornlitz
The novel's two primary settings—Pittsburgh and the fictional European principality of Dornlitz—are rendered through contrasting sensory details. Pittsburgh is described in terms of grime and utility: 'dirty banks and filthy water and coal-barges.' The club is a 'big, old-fashioned, grey-stone building—sole remnant of aristocracy,' suggesting a lost world of gentility. Dornlitz, by contrast, emerges through courtly rituals and moonlight drives. The shift from American industrial realism to European romantic intrigue is abrupt, but Scott anchors it in the narrator's perspective: he carries his American pragmatism into the ballrooms and palaces. The description of the masked ball in the illustrations hints at a visual, almost theatrical quality to the European scenes, where every gesture carries political weight.
Dialogue and the Economy of Revelation
Scott's dialogue does the heavy lifting of exposition, often revealing key information through terse back-and-forth. When Courtney says 'Of course, it's Lotzen,' the reader is expected to recognize the name as a shorthand for the antagonist. The marriage certificate plot is introduced and analyzed in a single conversation, with each line building on the last: 'She offered to show it to you, to-day' / 'Call her bluff.' This technique keeps the narrative moving at a brisk pace but occasionally leaves character motivation opaque. The Princess's decision to drive alone with the narrator is reported rather than dramatized, and her reasoning is inferred from Courtney's reaction: 'Gad! Major, she's a treasure!' The reader must piece together the romantic subtext from such exclamations rather than from direct emotional disclosure.
Readers should attend to how Scott balances the narrator's first-person limitations with the demands of a complex plot. The protagonist often learns information at the same time as the reader, creating a sense of immediacy but also of partial knowledge. The frequent use of wagers and games as metaphors rewards attention to the language of chance and strategy. The novel's pleasures lie less in psychological depth than in the crisp, almost cinematic unfolding of its intrigue.
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