Prisoners of Chance The Story of What Befell Geoffrey Benteen, Borderman, through His Love for a Lady of France — Inside the Classic
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Who were the Mound Builders? No living man may answer. Their history--strange, weird, mysterious--stretches backward into the dim twilight before tradition, its sole remaining record graven upon the surface of the earth, vaguely guessed at by those who study graves; their pathetic ending has long been pictured in our country's story as occurring amid the shadows of that dreadful midnight upon the banks of the Ocatahoola, when vengeful Frenchmen put them to the sword. Whence they came, whether from fabled Atlantis, or the extinct Aztec empire of the South, no living tongue can tell; whither fled their remnant,--if remnant there was left to flee,--and what proved its ultimate fate, no previous pen has written. Out from the darkness of the unknown, scarcely more than spectral figures, they came, wrote their single line upon the earth's surface, and vanished, kings and people alike sinking into speechless oblivion.
That Geoffrey Benteen witnessed the tragic ending of this strange people I no longer question; for I have compared his narrative with all we moderns have learned regarding them, as recorded in the pages of Parkman, Charlevoix, Du Pratz, and Duponceau, discovering nothing to awaken the slightest suspicion that he dealt with other than what he saw. More, I have traced with exactitude the route these fugitives followed in their flight northward, and, although the features of the country are greatly altered by settlements of nearly two hundred years, one may easily discern evidence of this man's honesty. For me it is enough to feel that I have stood beside the massive tomb of this mysterious people--a people once opulent and powerful, the warriors of forgotten battle-fields, the builders of lost civilizations, the masters of that imperial domain stretching from the Red River of the North to the sea-coast of the Carolinas; a people swept backward as by the wrath of the Infinite, scourged by famine, decimated by pestilence, warred against by flame, stricken by storm, torn asunder by vengeful enemies, until a weakened remnant, harassed by the French sword, fled northward in the night to fulfil the fate ordained of God, and finally perished amid the gloomy shadows of the grim Ozarks, bequeathing to the curious future neither a language nor a name.
But this I leave with Geoffrey Benteen, and turn to my own simpler task, a review of the peculiar circumstances leading up to this narrative, involving a brief chapter from the records of our Southwest.
The early history of the Province of Louisiana is so complicated by rapid changes in government as to confuse the student, rendering it extremely difficult to comprehend correctly the varied and conflicting interests--aristocratic, official, and commercial--actuating her pioneer colonists. The written records, so far as translated and published, afford only a faint reflection of the varied characteristics of her peculiar, changing population. The blue-eyed Arcadian of her western plateaus, yet dreaming upon his more northern freedom; the royalist planter of the Mississippi bottoms, proud of those broad acres granted him by letters-patent of the King; the gay, volatile, passionate Creole of the town, one day a thoughtless lover of pleasure, the next a truculent wielder of the sword; the daring smugglers of Barataria, already rapidly drifting into open defiance of all legal restraint; together with the quiet market gardeners of the _Côte-des-Allemands_, formed a heterogeneous population impossible to please and extremely difficult to control.
Varied as were these types, yet there were others, easy to name, but far more difficult to classify in their political relationships--such as priests of the Capuchin order; scattered representatives of Britain; sailors from ships ever swinging to the current beside the levee; sinewy backwoodsmen from the wilds of the Blue Ridge; naked savages from Indian villages north and east; raftsmen from the distant waters of the Ohio and Illinois, scarcely less barbarian than those with redder skin; Spaniards from the Gulf islands, together with a negro population, part slave, part free, nearly equal in point of numbers to all the rest.
And over all who was the master?
It would have been difficult at times to tell, so swiftly did change follow change--Crozat, Law, Louis the Fifteenth, Charles the Third, each had his turn; flag succeeded flag upon the high staff which, ever since the days of Bienville, had ornamented the Place d'Armes, while great merchants of Europe played the occupants of thrones for the bauble of this far western province, whose heart, nevertheless, remained forever faithful to sunny France.
As late as 1768 New Orleans contained scarcely more than three thousand two hundred persons, a third of these being black slaves. Sixty-three years previously Bienville had founded Louisiana Province, making choice of the city site, but in 1763 it suited the schemes of him, who ruled the destinies of the mother country, to convey the yet struggling colony into the control of the King of Spain. It was fully two years later before word of this unwelcome transfer reached the distant province, while as much more time elapsed ere Don Antonio de Ulloa, the newly appointed Spanish governor, landed at New Orleans, and, under guard of but two companies of infantry, took unto himself the reins. Unrest was already in the air,--petitions and delegations laden with vehement protests crossed the Atlantic. Both were alike returned, disregarded by the French King. Where it is probable that a single word of wise counsel, even of kindly explanation, might have calmed the rising tumult, silence and contempt merely served to aggravate it.
It has been written by conscientious historians that commercial interests, not loyalty to French traditions, were the real cause of this struggle of 1768. Be that as it may, its leaders were found in the Superior Council, a body of governors older even than New Orleans, of which the patriotic Lafrénière was then the presiding officer, and whose membership contained such representative citizens as Foucault, Jean and Joseph Milhet, Caresse, Petit, Poupet, a prominent lawyer. Marquis, a Swiss captain, with Bathasar de Masan, Hardy de Boisblanc, and Joseph Villere, planters of the upper Mississippi, as well as two nephews of the great Bienville, Charles de Noyan, a young ex-captain of cavalry, lately married to the only daughter of Lafrénière, and his younger brother, a lieutenant in the navy.
On the twenty-seventh of October, 1768, every Frenchman in Louisiana Province was marching toward New Orleans. That same night the guns at the Tehoupitoulas Gate--the upper river corner--were spiked; while yet farther away, along a narrow road bordering the great stream, armed with fowling pieces, muskets, even axes, the Arcadians, and the aroused inhabitants of the German coast, came sweeping down to unite with the impatient Creoles of the town. In the dull gray of early morning they pushed past the spiked and useless cannon, and, with De Noyan and Villere at their head, forced the other gates and noisily paraded the streets under the _fleur de lis_. The people rose _en masse_ to greet them, until, utterly unable to resist the rising tide of popular enthusiasm, Ulloa retired on board the Spanish frigate, which slipped her cables, and came to anchor far out in the stream. Two days later, hurried no doubt by demands of the council, the governor set sail for the West Indies, leaving the fair province under control of what was little better than a headless mob.
For now, having achieved success, the strange listlessness of the Southern nature reasserted itself, and from that moment no apparent effort was made to strengthen their position--no government was established, no basis of credit effected, no diplomatic relations were assumed. They had battled for results like men, yet were content to play with them like children. For more than seven months they thus enjoyed a false security, as delightful as their sunny summer-time. Then suddenly, as breaks an ocean storm, that slumbering community was rudely aroused from its siestas and day-dreaming by the report that Spaniards were at the mouth of the river in overwhelming force.
Confusion reigned on every hand; scarcely a hundred men rallied to defend the town; yet no one fled. The Spanish fleet consisted of twenty-four vessels. For more than three weeks they felt their uncertain way around the bends of the Mississippi, and on the eighteenth of August, 1769, furled their canvas before the silent batteries. Firing a single gun from the deck of his flag-ship, the frigate "Santa Maria," Don Alexandro O'Reilly, accompanied by twenty-six hundred chosen Spanish troops and fifty pieces of artillery, landed, amid all the pomp of Continental war, taking formal possession of the province. That night his soldiers patrolled the streets, and his cannon swept the river front, while not a Frenchman ventured to stray beyond the doorway of his home.
Within the narrow space of two days the iron hand of Spain's new Captain-General had closed upon the leaders of the bloodless insurrection, his judgments falling with such severity as to earn for him in the annals of Louisiana the title of "Cruel O'Reilly." Among those of the revolutionists before mentioned, Petit, Masan, Doucet, Boisblanc, Jean Milhet, and Poupet were consigned to Moro Castle, Havana, where they remained a year, and then were stripped of their property and forbidden ever again to enter the province of Louisiana. The younger Bienville escaped with the loss of his fortune. Foucault met his fate resisting the guard on board the "Santa Maria," where he was held prisoner; while Lafrénière, De Noyan, Caresse, Marquis, and Joseph Milhet were condemned to be publicly hanged. The earnest supplication, both of colonists and Spanish officials, shocked by the unjust severity of this sentence, sufficed to save them from the disgrace of the gallows, but fated them to fall before the volley of a file of grenadiers.
With the firing of the sunset gun the evening of their last earthly day, the post-captain visited the condemned men, and spoke with each in turn; they numbered five. All through the dark hours of that night heavily armed sentries stood in the narrow passageway before nail-studded doors, while each hour, as the ship's bell struck, the Commandant of Marine peered within each lighted apartment where rested five plainly outlined forms. With the first gray of the dawn the unfortunate prisoners were mustered upon deck, but they numbered only four. And four only, white faced, yet firm of step and clear of eye, stood an hour later with backs to the rising sun and hearts to the levelled rifles, and when the single volley had echoed and reechoed across the wide river, the white smoke slowly lifting and blown away above the trees, only four lifeless bodies lay closely pressed against the red-brick wall--the fifth condemned man was not there: _Chevalier Charles de Noyan had escaped his fate_. Like a spirit had he vanished during those mysterious hours between midnight and dawn, leaving no trace of his going save a newly severed rope which hung dangling from a foreyard.
That morning--as we learn from private letters sent home by officers of the Spanish fleet--there came to the puzzled O'Reilly a report that in the dense blackness of that starless night a single boat sought to slip silently past beneath the deep shadows of the upper battery. Unhalting in response to a hail of the sentry, a volley was hastily fired toward its uncertain outline, and, in the flare of the guns, the officer of the guard noted the black figure of a man leap high into air, and disappear beneath the dark surface of the river. So it was the Captain-General wrote also the name "Charles de Noyan" with those of the other four, endorsing it with the same terse military record, "Shot at sunrise."
Nor since that fateful hour has the world known otherwise, for, although strange rumors floated down the great river to be whispered about from lip to lip, and New Orleans wondered many a long month whither had vanished the fair young wife, the daughter of Lafrénière, yet no authentic message found its way out of the vast northern wilderness. For nearly one hundred and fifty years history has accepted without question the testimony of the Spanish records. The man who alone could tell the strange story was in old age impelled to do so by a feeling of sacred duty to the dead; and his papers, disarranged, ill-written, already yellowed by years, have fallen to my keeping. I submit them without comment or change, save only as to the subdivision into chapters, with an occasional substitution for some old-time phrase of its more modern equivalent. He who calls himself "Geoffrey Benteen, Gentleman Adventurer," shall tell his own tale.
I am Geoffrey Benteen, Gentleman Adventurer, with much experience upon the border, where I have passed my life. My father was that Robert Benteen, merchant in furs, the first of the English race to make permanent settlement in New Orleans. Here he established a highly profitable trade with the Indians, his bateaux voyaging as far northward as the falls of the Ohio, while his influence among the tribesmen extended to the eastern mountains. My mother was of Spanish blood, a native of Saint Augustine, so I grew up fairly proficient in three languages, and to them I later added an odd medley of tribal tongues which often stood me in excellent stead amid the vicissitudes of the frontier. The early death of my mother compelled me to become companion to my father in his wanderings, so that before I was seventeen the dim forest trails, the sombre rivers, and the dark lodges of savages had grown as familiar to me as were the streets and houses of my native town. Hence it happened, that when my father fell the victim of a treacherous blow, although he left to my care considerable property and a widely scattered trade, I could not easily content myself with the sameness of New Orleans; there I felt almost a stranger, ever hungering for the woods and the free life of the mountains.
Yet I held myself to the work in hand until successful in straightening out the tangled threads, and might have remained engaged in peaceful traffic until the end of life, had it not been for a misunderstanding with her who held my heart in captivity to her slightest whim. It matters little now the cause of the quarrel, or where rested the greater blame; enough that its occurrence drove me forth reckless of everything, desirous only to leave all of my own race, and seek amid savage environment and excitement forgetfulness of the past.
It was in September of the year 1769--just forty-eight years ago as I write--that I found myself once again in New Orleans, feeling almost a stranger to the town, except for the few rough flatboat-men in company with whom I had floated down the great river. Five years previously, heartsick and utterly careless of life, I had plunged into the trackless wilderness stretching in almost unbroken virginity to north and east, desiring merely to be left alone, that I might in solitude fight out my first grim battle with despair, saying to myself in all bitterness of soul that never again would I turn face to southward or enter the boundaries of Louisiana Province. During those years, beyond reach of news and the tongue of gossip, I wandered aimlessly from village to village, ever certain of welcome within the lodges of Creeks and Shawnees, or farther away amid those little French border towns dotting the Ohio and the Illinois, constantly feeling how little the world held of value since both my parents were gone, and this last blow had fallen. I loved the free, wild life of the warriors with whom I hunted, and the _voyageurs_ beside whom I camped, and had learned to distrust my own race; yet no sooner did I chance to stand again beside the sweeping current of the broad Mississippi, than I was gripped by the old irresistible yearning, and, although uninspired by either hope or purpose, drifted downward to the hated Creole town.
I had left it a typical frontier French city, touched alike by the glamour of reflected civilization and the barbarism of savagery, yet ever alive with the gayety of that lively, changeable people; I returned, after those five years of burial in forest depths, to discover it under the harsh rule of Spain, and outwardly so quiet as to appear fairly deserted of inhabitants. The Spanish ships of war--I counted nineteen--lay anchored in the broad river, their prows up stream, and the gloomy, black muzzles of their guns depressed so as to command the landing, while scarcely a French face greeted me along the streets, whose rough stone pavements echoed to the constant tread of armed soldiers.
Spanish sentries were on guard at nearly every corner. Not a few halted me with rough questioning, and once I was haled before an officer, who, hearing my story, and possibly impressed by my proficiency in his language, was kind enough to provide me with a pass good within the lines. Yet it proved far from pleasant loitering about, as drunken soldiers, dressed in every variety of uniform, staggered along the narrow walks, ready to pick a quarrel with any stranger chancing their way, while groups of officers, gorgeous in white coats and gold lace, lounged in shaded corners, greeting each passer-by with jokes that stung. Every tavern was crowded to the threshold with roistering blades whose drunken curses, directed against both French and English, quickly taught me the discretion of keeping well away from their company, so there was little left but to move on, never halting long enough in one place to become involved in useless controversy.
It all appeared so unnatural that I felt strangely saddened by the change, and continued aimlessly drifting about the town as curiosity led, resolved to leave its confines at the earliest opportunity. I stared long at the strange vessels of war, whose like I had never before seen, and finally, as I now remember, paused upon the ragged grass of the Place d'Armes, watching the evolutions of a battery of artillery. This was all new to me, representing as it did a line of service seldom met with in the wilderness; and soon quite a number of curious loiterers gathered likewise along the edge of the parade. Among them I could distinguish a few French faces, with here and there a woman of the lower orders, ill clad and coarse of speech. A party of soldiers, boisterous and quarrelsome from liquor, pressed me so closely that, hopeful of avoiding trouble, I drew farther back toward the curb, and standing thus, well away from others, enjoyed an unobstructed view across the entire field.
The battery had hitched up preparatory to returning to their quarters before I lost interest in the spectacle and reluctantly turned away with the slowly dispersing crowd. Just then I became aware of the close proximity of a well-dressed negro, apparently the favored servant in some family of quality. The fellow was observing me with an intentness which aroused my suspicion. That was a time and place for exercising extreme caution, so that instinctively I turned away, moving directly across the vacated field. Scarcely had I taken ten steps before I saw that he was following, and as I wheeled to front him the fellow made a painful effort to address me in English.
"Mornin', sah," he said, making a deep salutation with his entire body. "Am you dat Englisher Massa Benteen from up de ribber?"
Leaning upon my rifle, I gazed directly at him in astonishment. How, by all that was miraculous, did this strange black know my name and nationality? His was a round face, filled with good humor; nothing in it surely to mistrust, yet totally unknown to me.
"You speak correctly," I made reply, surprise evident in the tones of my voice. "I have no reason to deny my name, which is held an honest one here in New Orleans. How you learned it, however, remains a mystery, for I never looked upon your face before."
"No, sah; I s'pects not, sah, 'cause I nebber yet hab been in dem dere parts, sah. I was sent yere wid a most 'portant message fer Massa Benteen, an' I done reckon as how dat am you, sah."
"An important message for me? Surely, boy, you either mistake, or are crazy. Yet stay! Does it come from Nick Burton, the flatboat-man?"
"No, sah; it am a lady wat sent me yere."
He was excessively polite, exhibiting an earnestness which caused me to suspect his mission a grave one.
The narrative of Prisoners of Chance moves through a series of sharply defined physical spaces: the deck of the Santa Maria, a covert in the cane, a night in a boat, and finally a stone-walled cave at the mouth of the Arkansas. Each setting imposes its own constraints on action and dialogue, and the story’s tension often derives from the transition between open water, dense vegetation, and fortified rock. The excerpt from the cave scene—where De Noyan directs the building of a stone rampart while Cairnes grumbles about food—shows how the author uses spatial detail to shape both character and conflict.
Movement Between Open and Enclosed Spaces
The story’s structure alternates between exposed, vulnerable positions and enclosed, defensible ones. Early chapters place characters on the open deck of a ship, then in a small boat under cover of night. Later, they take refuge in a cane thicket, and finally in a cave with a stone slab at its mouth. This pattern of withdrawal into tighter spaces mirrors the escalating threat from pursuers. The cave scene is the most developed example: the party transforms a natural hollow into a fortification by rolling bowlders into a waist-high wall. The narrator notes that the ground falls away sharply, with the higher point twenty feet above water, and the slope thickly strewn with stones—details that make the setting feel both strategic and precarious.
Stone as a Recurring Image
Stone appears repeatedly as a material of protection and permanence. In the cave, the great square slab of stone forms a natural shield; the bowlders are rolled up to create a wall. De Noyan insists on placing the stones to leave room for sword-play, showing how the material shapes tactics. Earlier, the narrative mentions a “stone slab” and “bowlders of varying size.” This emphasis on stone contrasts with the fluid, uncertain environment of the river and forest. The word “rock” itself recurs in descriptions of the cliff face and the cave’s interior, grounding the action in a tangible, unyielding landscape.
Voices in Conflict: De Noyan, Cairnes, and Benteen
The excerpt reveals three distinct voices that drive the dialogue. De Noyan speaks in energetic, military French—“Saprista!”—and issues orders with theatrical flair, calling the cave a “beautiful” position. Cairnes, by contrast, is pragmatic and sardonic, complaining about wasted pickled meat and invoking Job. Benteen, the narrator, mediates between them, giving decisive orders (“our first effort be with the stones”) while noting the others’ reactions. This interplay of voices—the ardent Frenchman, the grumbling Englishman, the steady borderman—creates a dynamic that is both comic and tense. Their banter during the meal, described as “outward carelessness” in desperate circumstances, reveals character through tone rather than exposition.
The Foreword’s Frame and Its Limits
The foreword presents the narrative as a manuscript inherited by the author, who claims to have discovered a “historic basis” through correspondence of minor details. It names Geoffrey Benteen as a later resident of La Petite Rocher, a man of note who died in old age. This framing device invites the reader to treat the story as potentially factual, but the excerpts provide no further evidence of historical accuracy. The foreword does not specify which details are factual, and the adventure that follows—with its Daughter of the Sun, Jesuit priest, and Natchez stronghold—leans heavily toward romance. The reader should regard the frame as a conventional gesture rather than a promise of authenticity.
Readers attentive to setting will find that Prisoners of Chance rewards close observation of how spaces are described and used. The cave scene, with its careful placement of stones and its mix of voices, is a microcosm of the novel’s method: action emerges from environment, and character is revealed through practical decisions. The story’s movement from ship to forest to rock offers a clear structural thread, even when the plot takes improbable turns.
Anthony Scott
2 weeks agoVictoria Sanchez
3 weeks agoHenry Martin
2 weeks agoEmma Perez
2 weeks ago-
William Rice - 3 weeks ago
The book has a solid plot and interesting historical context, but the pacing sometimes drags in the middle. The romance is a bit formulaic, and the characters could be more fleshed out. However, the adventurous spirit and the setting are highlights. If you enjoy historical fiction, this is worth a look. -
Megan Griffin - 2 weeks ago
Prisoners of Chance is a swashbuckling historical adventure that transports you to the New World. Geoffrey Benteen's journey is filled with daring escapes, romantic tension, and vivid depictions of 17th-century life. The author's attention to detail and the fast-paced narrative make this a truly immersive read. I couldn't put it down! -
Jacob Steven Pham - 1 week ago
The prose is overly verbose and the dialogue feels unnatural. The protagonist's decisions are often implausible, and the love story is both predictable and underdeveloped. The historical backdrop is interesting, but it's overshadowed by the melodrama. I struggled to finish this one.
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Dylan Gonzalez
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